Two years after premiering at the NotaBle Acts Theatre Festival, A Record of Us is back for a New Brunswick tour, beginning here in Fredericton at Saint Thomas University’s Black Box Theatre. A Record of Us is the inaugural work created and performed by Solo Chicken Productions’ the coop. The touring production features the original cast — Jean-Michel Cliche, Kira Chisholm, Alex Donovan, Ian Goff, Alexa Higgins, and Lexi McCrae.
Directed by Lesandra Dodson and Lisa Anne Ross, who created the work in collaboration with the coop company members, A Record of Us blends physical theatre with the texts of author David Adams Richards. So, yes, bleak is one way A Record of Us could be described for its reflections on loss, isolation, and family violence.
In one episode, the question on everyone’s mind is — what did you do, Ben? A cacophony of public suspicion overwhelms Ben (Cliche), a young man dealing with alcoholism. His father (Goff) meets him in a physical confrontation where dinner plates slide into the scene behind them. Later, Ben’s sisters (Higgins and McCrae) attempt at ignoring the damage in their family — while cleaning the mess left behind — fails when their conversation breaks down.
Elsewhere, a young woman (Higgins) falls apart while no one seems to care or notice. Her worries are drowned out by the noise of men playing pool, aggressively, in the background. Another round of beer. Another night of pool. Another face in the bar.
In another part, two men (Donovan and Goff) slinging coffees try breaking away from their scripted customer interactions to have a meaningful conversation between themselves. Earnest human emotion in the wake of tragedy surfaces after much difficulty, leaving the men vulnerable to each other under the store’s harsh fluorescent lighting.
A Record of Us suggests the New Brunswick experience is rooted in a spirit of perseverance that, despite all odds, endures across the province — demonstrated most recently in last month’s record-breaking flood. Yet, failure has managed to find its way into New Brunswick’s fabric: high unemployment, low literacy, and continued youth out-migration. And so, in these reflections, A Record of Us depicts the fallout of continued personal hardships.
Unfortunately, the show suffers from a narrow perspective of living in New Brunswick. What about bilingualism? And the aging population? The indigenous population? The steadily increasing number of visible minorities? Sure, the social issues mentioned earlier can affect everyone, but not in the same ways; it’s called intersectionality. Since Richards’ works were only used for inspiration, there was room for the creators to develop their own contributions for the project. So, it’s not as if A Record of Us is a firm adaptation of anything that could explain the gaps.
Under the direction of Dodson and Ross, the production stages stunning images that effectively expand the work’s themes. The movement language, elevated by impressive lighting work, is almost cinematic. In one such moment, Higgins performs in front of strobe lights (lighting design & technical direction by Trent Logan), producing a motion blur effect that looks as if a film reel is spinning out of control. That film reel consists of nothing but different versions of her character, different outcomes based on other people’s expectations. There’s also this intensity that continues from segment to segment, an intensity mixed with an unexpected, kind of morbid sense of humour. Dodson and Ross explore this intensity through brute, yet calculated movement that is performed with great vitality by the cast.
A talented ensemble and articulate direction help distract from the limited narrative presented in A Record of Us.
The New Brunswick tour of Solo Chicken Productions’ the coop’s A Record of Us runs June 1 – 8 in Fredericton, Saint John, Moncton, and Sackville.
For more information about the show, including performance dates and ticket information, visit: http://www.solochickenproductions.com/a-record-of-us-june-2018-tour/