Radioheaded Three Rocks The Big Secret Theatre

Radioheaded 3

The Authorities (Doug MacLean, Kirk Miles, Bradley Struble) watch carefully over Denise Clarke’s beautifulyoungartists. Photo credit: Diane + Mike Photography.

Created and directed by Denise Clarke, Radioheaded 3: A Listening Party to Watch stages a vivid, politically charged interpretation of Radiohead’s 2003 album Hail to The Thief.

In its first few minutes, the show makes clear who its opponents are. Its opponents are the Authorities (Doug MacLean, Kirk Miles, Bradley Struble) – a trio of “capitalist assholes” in suits. Before he takes his seat, the group’s leader calls the audience a bunch of hippies “who probably voted for the NDP.” Yes, the three men are not far removed from the current political landscape.

A mad frenzy ensues as Clarke’s beautifulyoungartists enter the theatre. Almost immediately, the artists rush the audience in an effort to sell Happiness. “I need to fill my quota,” says one of the desperate artists in her sales pitch.

Corporate greed, social injustices, they are all fuel for rebellion, but no such uprising takes place here. Worked to the bone, the artists have no energy to revolt. Control and routine have subdued their anger, a fact the Authorities cherish.

Although, one man (Thomas Poulsen) holds out hope that change is possible. Trying to revive their spirits, he asks the artists not to give up and give in to the powers at hand. His efforts, however, are in vain. The one artist who rises up (Pamela Tzeng) is swiftly hammered down.

As the full album plays, the lyrics to every song are typed out on a large projection screen. Designed by Wil Knoll, the projected transcriptions feature typos, corrections, and other imperfections which complement the production’s overall raw qualities.

Though raw, the production never feels too loose, or out of control. Clarke’s beautifulyoungartists are a tight ensemble who demonstrate fearless commitment to the movement. (At one point, Poulsen’s bed spins wildly in circles centre stage with Tzeng hanging on one of its sides).

Where the production is weak is in its neon/glow-in-the-dark effects. The tape used to illuminate/outline the artists and props during one particular scene works only for a few, leaving some artists in the dark entirely. (Think of a series of bulbs where a handful are burnt out). So, while the idea is interesting, its execution leaves something to be desired.

Nonetheless, Radioheaded 3 is a visually exciting show that explores Hail to The Thief’s dread towards the future. Clarke holds a mirror to the audience and asks us to reflect on the conditions that make young people today feel so apprehensive about their futures.

Clarke’s Radioheaded 3 holds a tight grip on its audience from start-to-finish with its inspired movement that calls for action.


Produced by One Yellow Rabbit as part of Sled Island 2015, Denise Clarke’s Radioheaded Three: A Listening Party to Watch runs June 24 – 27 at the Big Secret Theatre (Arts Commons).

For more information about the show, visit: http://oyr.org/

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